Chopin’s Computer
Chopin’s Computer for Disklavier and electronic media (ca 50′) Commissioned by the Ministry of Culture and National Heritage of the Republic of Poland First performance: 22nd of December 2010, Wrocław Marcin Rupociński
Projects
dCoding John
dCoding John for voice and electronic media (ca 18′) First performance: 26th of September 2009, Warsaw International Festival of Contemporary Music Warsaw Autumn Performers: Agnieszka Jaworska – voice (recorded) Marcin
Martha’s Garden
Martha’s Garden chamber opera for female voice, actor, electronic media and instruments First performance: 22nd of Spetember 2009, Warsaw International Festival of Contemporary Music Warsaw Autumn Cezary Duchnowski – music Piotr Jasek – libretto
Secundum interiorem hominem
Secundum interiorem hominem for choir, harpsichord and strings (ca 16′) First performance: 25th of March 2011, Katowice 4th Festival of World Premieres Performers: Aleksandra Rupocińska – harpsichord The Katowice City
Music of Spatial Forms
Music of Spatial Forms Commissioned by Elbląg Chamber Orchestra Project was co-financed by the Ministry of Culture and National Heritage of the Republic of Poland First Performance: 6th of September
Trois Lieux
Trois Lieux Interactive multimedia installation First shown 12th of September 2009, Strasbourg Maja Wolińska – artist Marcin Rupociński – coding
Latent Image
Latent Image for chamber orchestra (ca 11′) Commissioned by Adam Mickiewicz Institute First performance: 23rd of May 2011, Beijing Performers: New Music Orchestra Szymon Bywalec – conductor You can view
Machinae coelestes
Machinae coelestes for soprano, choir, computers and orchestra First performance: 25th of September 2013, Warsaw International Festival of Contemporary Music Warsaw Autumn Stanisław Krupowicz – music Marcin Rupociński – programming virtual instruments Performers:
Unsharp Mask
Unsharp Mask to hybrydowa kompozycja muzyczna osadzona w przestrzeni wirtualnej, z mechanizmami interakcji. Tytuł nawiązuje do klasycznej techniki fotograficznej pozwalającej zwiększyć ostrość konturu obrazu przez nałożenie rozmytej maski pozytywowej na
Non possumus
Non possumus for choir, chamber ensemble and electronic media (ca 18′) Commissioned by Polish National Radio Symphony Orchestra Project was co-financed by the Ministry of Culture and National Heritage of